Why I wrote Slumdog Soldier

Everyone loves a great underdog story. In Rocky, a down-on-his-luck everyman fights for the chance of his lifetime. In Stieg Larsson’s Millennium trilogy we have Lisbeth Salander, the damaged outcast yet skilled hacker confronting society’s powerful abusive men who repeatedly target her (and other women) with impunity. In Lee Child’s Jack Reacher series, our hero outsider stands up for the smallfolk against rich corrupt villains, armed with only a folding toothbrush and the clothes on his back.

I love these stories. There’s something so profoundly universal about the appeal of plucky outsiders taking on the establishment with grit and dogged determination, one lone hero against the world. Now…how to bring a fresh new perspective?

Why Historical Fiction?

I’ve always loved history from an early age. It’s fascinating to have that unique viewpoint into the living, breathing world of our grandparents and ancestors. Historical fiction’s made a triumphant comeback in recent years; Hilary Mantel’s Wolf Hall, Sarah Perry’s The Essex Serpent, Sebastian Barry’s A Long Long Way and Antony Horowitz’s The House of Silk have all garnered universal praise for their stories transporting the reader into rich evocative worlds that capture the imagination. Plenty more novels cover the Victorian Era, the legacy of colonial empire, the dawn of a new century and the onset of the First World War. Yet comparatively few have explored the Boer War and Edwardian Era. Those that do usually portray this period as an idyllic golden summer of peace, with leisurely afternoons on the river, tranquil garden parties and inter-class romances (classics such as Howards End, Wind in the Willows, The Forsyte Saga, Cavendon Hall, The Summer Before the War or the TV series Downton Abbey).

Which are great, sure. But rather unrealistic. They tend to be portrayed in an affluent setting, heavily featuring the wealthy aristocracy. As a result, they’re a bit too idealised, too…clean.

History: from the ground up

I hoped to portray an alternative view from the gutters in rich earthbound detail, a time of immense struggle and grinding poverty for the industrial working man. Robert Tressell’s classic The Ragged-Trousered Philanthropists was a withering damnation of this; it condemns the rich and powerful institutions of society preying on the working man, from hypocritical Christians and exploitative capitalists to corrupt town councillors. If you get the chance to read it, please do – it’s truly an eye-opening book!

Two of my favourite TV series also feature this grimy past of Britain’s industrial empire; Taboo follows James Delaney as he gathers a crew of underworld rogues and thieves to oppose the mighty East India Trading Company – the ruthless leviathan ‘with a million eyes and a million ears’ whose atrocities include slave trafficking, colonial plunder, and contract killings. Peaky Blinders explores Brummie gangster Tommy Shelby’s rise to power, from a street-level bookmaker to family leader of a criminal empire across Birmingham and London. Along the way, he faces other sharks in the underworld’s murky waters; local police, rival kingpins, the IRA, Jewish gangsters, Russian aristocrats, Italian mobsters, secret government organisations, and even the Crown.

Like Rob Wilson in Slumdog Soldier, both these protagonists also have deadly underworld sidekicks happy to help with wetwork; Taboo features Atticus and French Bill, two cutthroat rogues who regularly dump bodies into the Thames. Peaky Blinders has Johnny Dogs, a Romani gypsy fond of horses and playing the fiddle, who won’t bat an eye at burning a body in the woods.

21579ca9f592b38 - Copy

Universal Themes in Slumdog Soldier

The Unscrupulous Antihero

We’re on the side of the angels. Doesn’t mean we’re one of them.

Max Rockatansky. Lisbeth Salander. James Delaney. Jack Reacher. All four protagonists are lone wolves. Antisocial outcasts who prefer solitude. Often gruff and tactless towards their friends.

And utterly merciless warriors against the abusers of power, wealth and privilege; the timeless knight-errant archetypes of mythical Arthurian legend who right wrongs, slay dragons and defend the helpless. Whether with a shotgun, a golf club, a karambit or bare fists, all four antiheroes enact righteous vigilante justice, intervening as protective avenging angels on behalf of beleaguered innocents. For Max Rockatansky, it’s the community struggling to survive in the post-apocalyptic wasteland, a tribe of feral kids seeking a better world, and the downtrodden wives of a tyrannical warlord. For Lisbeth Salander, it’s women victimised by abusive men, or her few closest friends and supportive journalists harassed by the state. For James Delaney, it’s his stepmother and partners in crime, especially those imprisoned and mistreated by the East India Company and the Crown. For Jack Reacher, his wards include Mexican migrants, small-town Coloradans, Nebraskan farmers, an elderly librarian, a single mum working as a cocktail waitress, and a quadruple-amputee war veteran.

All four are vicious towards abusers and sadists who prey on the weak, displaying unrestrained primitive savagery when delivering righteous comeuppance to society’s predators. All four fight back against the three-headed dragon (of greed, cruelty and corruption) that feeds off society & preys on so many real people in today’s world. These are classic hardboiled revenge fantasies that resonate with millions of people worldwide; all four protagonists strike back against evil oppressive forces on behalf of others, fulfilling that universal appeal of setting things right with violent retribution. Yes, they reduce their enemies to a quivering mess of broken bones, but it’s progressive vigilantism – the scumbag is killed, but always for noble reasons.

Hurt his friends and family or terrorise innocent settlers, and Max the Road Warrior will happily blast you with a shotgun or leave you cuffed to burn alive unless you saw off your own ankle. With Salander, anything goes: she will cripple you with a golf club, taser, axe or nail gun if you dare abuse women or harm her trusted friends. Target him or his allies, and Delaney will tear your throat out with his teeth, slash your tendons or impale you with baling hooks before disembowelling you. Profit from wartime or threaten the little guy, and Reacher will break your legs, slit your throat or just shoot you dead, then sleep like a baby (when asked how he feels about murdering five thugs, he replies ‘How do you feel when you put roach powder down?’). Such bullies include a Texas district attorney, a crooked general, Al-Qaeda agents, a Mexican drug lord, and a Russian mob boss.

Don Quixote said it best: all four are ‘willing to march into Hell, for a heavenly cause.’

And yet…despite seeking reclusive solitude and displaying utterly shocking violence, all of them have soft spots for the few decent people in their lives. Although gruff loners reluctant to emotionally invest in others, all four are nonetheless drawn to people in need, and won’t betray their innate better nature to turn down a plea for help. Their underlying kindness shines through when they act as guardian angels, regaining their humanity by helping others in need. Having such diverse characters defend the innocent against rapacious bullies, they give readers the visceral satisfaction that there’s someone just like them – Robin Hood figures for our troubled times who can fix a broken world. Yes, you could argue that it’s merely cathartic wish-fulfilling escapism…

But isn’t that the whole point?

In the real world, of course, we know the good guys don’t always win. So there’ll always be that huge appetite among readers for fiction that features proper cathartic punishment for villains.

I loved tapping into that universal appeal for my own protagonist’s journey, mirroring that Arthurian knight-errant archetype for a war veteran in an unfamiliar city. Sergeant Craig Harper is an ethical hero who avenges wrongdoing with his own feral code of righteous violence, but also this innate kindness; ultimately he’s trying to do the right thing and will always help innocent people struggling on the grimy margins of society. It’s his underlying decency and compassion that makes stories like his so elementally compelling. By escalating the greed, cruelty and corruption of the villains and establishing their victims’ innocence, hopefully the audience is fully invested when Craig avenges his friends with his own brand of violent justice against the wicked.

The bully: a universally relatable villain

Ultimately, this is a story about bullying. I’m hoping to illustrate its numerous layers throughout this story, from Vince the domineering landlord getting his kicks from intimidating defenceless people (see Chapter 12) right up to Starrick’s men; the wealthy powerful gangsters who relish humiliating and terrifying the weak, just because they can (see Chapter 18).

Why bullying? Well, because it’s such a relatable experience for so many people worldwide. We can’t truly empathise with Voldemort or Sauron, the stereotypical genocidal maniac out to rule the world. We can’t identify with Ramsay Bolton or Gregor Clegane, the sadistic psychopaths who delight in bloodshed. Most people haven’t had their parents murdered by a xenophobic cult leader, fought for their lives against giant snakes, been kidnapped and tortured for dark rituals, or watch numerous friends die in front of them. These monsters’ crimes are horrifying and numerous, but they’re distant, unfamiliar and fantastical. Like hearing about a serial killer on the news.

Hats off to Imelda Staunton and Jack Gleeson for portraying such memorable villains!

But everyone’s had a Dolores Umbridge or a King Joffrey in their lives. That one bully who made their life a living hell, the ones who were needlessly sadistic and condescending, and delighted in making others’ lives miserable. That one teacher who inflicts extra punishments just because they disliked you. You’ve complained to parents and authorities only to be ignored. You’ve sat through pointless classes and been silenced whenever you criticise. Umbridge is that teacher we all hated because she made our lives a misery and we were powerless to stop her. Joffrey is that teenage bully who lorded it over others and dominated the playground. Whenever someone was brave enough to push back, he would hide behind his mother’s skirts and his father’s reputation so he wouldn’t get punished.

Yet even as we grow out of school, there are still people in positions of power who act just like them. The manager who denies your schedule requests and penalises you for invented infractions. That customer who complains to corporate because their scam didn’t work on you, yet still persuade corporate management to side with their story. Cops performing illegal searches because they know you don’t have proof and can safely hide behind a badge as they harass you. Those who take callous pleasure in dominating others, abuse their positions of power to inflict pain, fear and suffering…and smile as they do it. The universal archetype we despise and can all root against.

Supervillains are bad guys in distant fairy tales, nightmare figures we hope never to face.

When they’re defeated, we breathe a sigh of relief.

But bullies are the villains we face every day. Bullies are personal.

When they’re defeated, we cheer.

*drops mic*

19 thoughts on “Why I wrote Slumdog Soldier

  1. Tom, this is such an interesting insight into the background to your wonderful developing story. I’m sure I couldn’t pen such an elegantly-worded and well-constructed raison d’etre for any of my novels. Of course, you’ve already shown us the character of your flawed hero very clearly, but to get an insight into where he came from – a peek inside the author’s head – is truly fascinating.
    I’m looking forward to reading Chapter 24.

    Liked by 1 person

    1. Thanks ever so much for such kind encouraging words, Chris! 😀 I’ve been bouncing these ideas around in my head for some time, so laying them out clearly like this really helped remind me why I started this story. So thrilled you enjoyed it! ❤


  2. You have given us a detailed insight into your story’s background – very hard-hitting and brutally honest. I loved Peaky Blinders. There may be similarities but you have an original, interesting and absorbing story. I look forward to reading your latest chapter every week.

    Liked by 1 person

    1. Thanks for such supportive words, Sadje! I’ve been meaning to put this into words for a while & hopefully it’ll make more people aware of some great drama series to get hooked into. 😀
      Didn’t realise I was channelling the universal revenge Western in my story; a stranger comes into town and sets things right. So glad to see it mirrored in many of my favourite inspirations!

      Liked by 1 person

  3. Wow! This is brilliant! I never knew that you had spent so much time and energy on planning things out. And the way you have justified it all is just amazing! And one more thing. You are certainly well-read! That much was obvious from your detailed analysis. May you reach their ranks one day, Tom! 🙂✌️

    Liked by 1 person

    1. Thanks ever so much for such kind encouragement! 😀 Glad you enjoyed this – it was definitely fun for me to revisit some of the inspirations that motivated me to write this story! 📖

      Liked by 1 person

  4. I’m a huge Peaky Blinders fan, I can’t get enough of the show.
    Knowing that your WIP draws inspiration from that show had me hooked.
    I loved reading this post, your work sounds intriguing and exciting. Keep up the good work! ☺️

    Liked by 1 person

    1. So glad you enjoyed this, Lorraine! 😀 It was a lot of fun revisiting all the old inspirations behind my story & I’ve continued republishing new chapters on here every week if you’d like to read further 🙂

      Liked by 1 person

  5. Very interesting, and a great bedrock to lay your own creative landscape upon. Can’t wait to see it unfold further. Looks like you have the course well figured out for this story.

    Liked by 1 person

    1. So thrilled you enjoyed reading this, Mark! It was fun revisiting my TV/film inspirations to explore why I’d chosen this period to write about. Thanks for being such an encouraging reader throughout my story – you know I always appreciate your feedback 😀


  6. Tom, I must say I read this after reading chapter one. I misclicked and decided to absorb the beginning of the adventure before returning to the reasoning. I’m glad I did. Because I can honestly say the way you describe your inspirations and the framing of your characters – all of this came across vividly in just the first chapter. I felt like I was there, watching that intense exchange. I heard the sounds on the cobblestone, felt the “underdogs” adrenaline and rage pushing him forward. The sights, smells, thoughts. All translated so beautifully and viscerally from what you have taken the time to articulate here. I adore that you included photos from film/television/photography history to give examples of your aesthetic. I do this often with poetry – putting together an image collage that functions as a sort of storyboard. Pictures, artwork and music that represents the emotion, landscape, colors, inanimate objects, expressions, etc. that I am conveying through prose. I am so excited to read more tomorrow (and become acquainted with the diva cat you mentioned – haha) but wanted you to know in the interim that this is incredible, artistic, fascinating and so cohesive. Bravo!! ♥️

    Liked by 1 person

    1. I am so deeply humbled that you enjoyed reading this so much, April! Having such encouraging praise from such a talented poet like you really means the world to me, and I’m really excited to share more of the story with someone eager to read on 😀 😀 😀 Thanks for articulating it so brilliantly & looking forward to your thoughts on the next few chapters! ❤

      Liked by 1 person

  7. For some reason I was tickled pink when I read the part where you mention several states in America. I always find it interesting to hear people from Europe’s perspective on American states and cities. Also, writing a book is such a monumental endeavor, good on you for having the discipline to tackle it!

    Liked by 1 person

    1. Thanks ever so much, Larisa! 😀 Glad you found this so interesting. This book was a few years in the making, so I felt I could get more meaningful feedback from first-time readers if I released the first half online to see where I could improve it.

      Liked by 1 person

      1. I totally agree! I’m really glad I gave myself the space to focus on this one project rather than juggling multiple short stories or getting into publishing too soon – luckily I had plenty of spare time while balancing part-time work to really build on it. Hope the subject intrigues you! 😀

        Liked by 1 person

  8. Great to hear some of the art that influenced Slumdog Soldier. It’s not always a good idea to hear how the sausage is made, but I enjoyed hearing how different influences threaded their way through the narrative, whilst still ensuring that it was your own creation. Brilliant stuff.

    Liked by 1 person

    1. So kind of you to say, Matt! Yes, I definitely had a lot of fun revisiting favourite series and book inspirations to try and capture that grimy atmosphere of the early 20th Century, plus the universal themes that appeal to readers of all ages. So glad you enjoyed reading this! 😀

      Liked by 1 person

Leave a Reply

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s